It's Really, Really Beautiful.
So, let them, me, is fire in the eyes of a beautiful, um, Ethiopian lady that I'm after, not Nigerian lady, let them just stay here, stay here, they drink Gari, so you write about Gari for them, let them follow you now. Idea, why are you raising your hand? Raising, would you come tomorrow? I am serious, but, you know, to actually do what Raising has said about the would you come tomorrow, you see how entirely ordinary it is when I ask Raising, would you come tomorrow? It is the kind of thing that you would text someone without thinking here, and like he said, it is heavy, it carries this enormous weight, like, for me, my explanation from that, my objection from that would be, is those kind of accents, will you still be there? Like, whatever this, whatever this is we are doing, continue, is tomorrow promised? You know, I think it's very, it looks very plain, but it is actually very vulnerable, and I feel like it's also a question that traps people, because, yeah, you know, before you know, will you come tomorrow? We're down to six years, and you guys are still there, and she's still, like, very charming and all of this good behavior, but I don't believe that a traditional man, like, play to understand what would you come tomorrow? Maybe she has written to Ethiopian women about four Nigerian women, would you come tomorrow? So, it cannot really relate to the simplicity and the mechanism in this, you know, line, as a polygamous person. So, I want to share, before I talk about the innocence of Ato, because I was there before, you know, recent mention of this year.
This is the way I want you to present your piece. It's not like I'm telling you, well, it enters when you deliver it like this. I told you before now, your voice is beautiful, it's enchanting, and the only issue is most times you rush your piece, but when you read them gently, you know, it just sparks some things, you know.
I don't know. Yeah, the presentation is amazing. Let me, that's all.
Thank you. So guys, I'm using a lot of figurative something here. What do you mean sparks some things? I don't know the things that are being referred to in this context.
Yeah, only voice too much. What things now? Very explicit. I don't like people being implicit when it comes to things like this.
Are you writing with your words? I love the piece, Vantisheva. That's a great, sorry. All right, let me just round off.
Pace and freedom. I love this. Peace was never the absence of ways, but the courage to go through them.
This is, so I stand here, guided, not drifting, listening to the rhythm beneath my feet. Vantisheva, this is a beautiful piece. It's really, really beautiful.
